Showing posts with label Middle East. Show all posts
Showing posts with label Middle East. Show all posts

07 April, 2010

Gerard of Cremona

My final semester has officially begun although I have been doing a little reading and article search for a couple of weeks now. I am still working my way through the Scott L. Montgomery book, Science in Translation. I am only reading one chapter for the purposes of this study, but it is a long chapter and full of information! It's almost a little overwhelming, but I will get through it. As always, I am making notes on what I am reading and highlighting certain passages that I need to research a bit more or plan to quote in my thesis. Don't get me wrong though. I think this is a great book so far! It was actually one that I checked out from the USF Library last semester and decided to purchase a copy for myself. :D


I am also going to be re-reading/skimming through Jonathan Lyons' The House of Wisdom as it is pertinent to Chapter 4 of my Thesis more than any of the other chapters. 

I am in the process of narrowing down my list a bit of the scientists/translators I will focus on for this chapter. Gerard of Cremona is definitely on my "Yes" list! He was probably one of the more important translators and has been compared to Hunayn in method of translation. According to Scott L. Montgomery, "the tremendous contribution [Gerard] made to the Western intellectual tradition...was based on bringing into medieval Latin a large portion of the Arabic-Indian-Persian-Greek synthesis in science..." (p155). I think this is an important point in moving from the Eastern translation movement into the Western as we have to think in terms of what the Arabs brought to the Middle East and it's spread westward from there.

As I have on previous posts, I want to include a picture of Gerard of Cremona, but I am unable to find one. I will keep looking as time permits...

14 January, 2010

Alhazan

As I get more into the scientists I have chosen to focus in on, I am finding things that I knew and things that I didn't. I am also finding things that are most interesting. Such is the case in Alhazan.


He is considered the Father of Modern Optics. This is a good thing as we all use optics in some fashion. As children, we learn about refraction and reflection of light through the use of mirrors and prisms.


Photographers use optics in their work all the time.


Even advertisers have gotten into the optic bandwagon, so to speak. Remember that commercial where the little girl explains to her father why the sky is blue? Yup, that's optics at it's elementary!

27 December, 2009

Chapter 3...coming along

Well, for this chapter of my thesis, I will be concentrating on some of the leading scholars/researchers at the House. Hopefully this chapter will prove more fruitful than Chapter 2 (a work still in progress). I am aiming for around 20 pages in each chapter, and I feel that I can definitely get there in Ch. 3!

The first scholar I will be discussing is al-Khwarizmi. He is responsible for bringing the number "0" into our mathematical systems. He is also responsible for the heinous algebra that every teenager loathes! LOL!!! I am finding him to be a most fascinating person in the little bit of reading I have done on him already.

This is a picture of what he is to have looked like in his day. The Russians have even used his image on a postage stamp in honor of him and his achievements!

This is a page from one of his texts on algebra. The equation he is discussing is as follows:



although, he has a much lengthier way of expressing the equation!



And in some parts of the Middle East (and the world), statues have been erected to him. This one is in Tehran, Iran at the Amirkabir University of Technology in front of the Faculty of Mathematics building.

04 November, 2009

Lyons Book Review

Well, I finally finished the Lyons book, The House of Wisdom, and what can I say other than it is such a great read! While it seems to be a little dry at first, part way through the first chapter the pace picks up. I found myself not wanting to put it down, but my tired eyes required that I do. Following is the actual review that I submitted as my class assignments:

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Jonathan Lyons breaks his book, The House of Wisdom: How the Arabs Transformed Western Civilization, into four sections: night, morning, mid-day, and afternoon. Each of these sections represents a specific time in the day of a Muslim – that is a specific time of prayer. In contrast, they also seem to represent a specific time in Muslim or Arab history. The first section, night, represents the end of a “golden age” while at the same time the coming of new ideas into Western Europe from the East. Lyons discusses the Crusades at length during the “night”. His main “character” here, and throughout the book, is Adelard of Bath who was considered one of the top intellectuals from England. Another way to look at the “night” section is “the Dark Ages” as this is the time when Europe and the West were in the throws of the Dark Ages and intellectual life was at a stalemate.


The next section, “morning”, could be equated to the dawn of the new intellectual age in the Middle East. This was a time period when knowledge was being translated from Persian, Hindu, and Greek texts into Arabic. In this section, Lyons discusses the role of the Abbasid Caliph Ma’mun in bringing a plethora of knowledge into the Middle East. He also discusses the establishment of a centralized location where this scholarly work can be accomplished: that being the House of Wisdom. It is because of and within the House of Wisdom the Arabs were able to make a number of scientific and mathematical improvements on existing texts. It is also for this same reason that a new way of thinking began to emerge from the Middle East: deductive reasoning or critical thinking.


The third section, “mid-day”, goes back to the time of the Crusades and Adelard of Bath. Here, Lyons discusses the new knowledge coming into Europe and the welcome it received, both positive and negative. Because Europe relied heavily on the teachings of the church, this new knowledge was not welcomed in theological circles. In academia, however, this same knowledge was highly welcomed. It created new university towns such as the University of Paris and Oxford University. Much of the works in Arabic were translated into Latin so scholars in the West could understand them. Ironically, much of this translation took place in the monasteries by monks.


The final section, “afternoon”, pushes forward with the continuing of translation into Latin those works from the East. Lyons discusses, at length, the patronage of Frederick II to learning all that he could from the Arabs. He brings into his realm learned men such as Michael Scot, Leonardo of Pisa (aka Fibonacci), and even Thomas Aquinas, all of whom were eager to learn from the Arab texts. The primary focus of this section is the theological disputes between Frederick II and the rest of Christendom. Frederick II is said to have taken on a Muslim lifestyle including chanting the five daily prayers; and his court followed his example.


Overall, this book has a lively read to it and the subject matter is crucial to the understanding of Arab thinkers during the Abbasid Caliphate. Lyons does a good job of showing the overall progression of knowledge from Baghdad into the realm of Europe. He also does a wonderful job of explaining not just the initial contact of the East with the Greeks, Persians, and Indians, but of the improvements made upon these works by the Arabs within and without the House of Wisdom.


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I formatted as if I would submit it to a scholarly journal in order to get the practice. I am still waiting on feedback from both professors (as I submitted to both classes for different purposes). Next on my reading agenda is a book by Dr. Bernard Lewis, The Arabs in History, as well as a book by Howard R. Turner, Science in Medieval Islam.

20 August, 2009

Just Some Random Ramblings

Baghdad's cultural revolution ----------------------------------------

In all of history, every civilization seems to have had a cultural revolution of some sort. For the Middle East - or Muslim civilization - this seems to have begun in Baghdad during the 'Abbasid Caliphate in the 8th century. The House of Wisdom (Bayt al-Hikmah) is the cornerstone of this cultural revolution. But, what is a cultural revolution? Further, how does it pertain to Baghdad and the Muslim world?

What I know (from selected readings):
The House of Wisdom was founded in the 8th century in Baghdad during the reign of al-Ma'mun (one of al-Rashid's sons). It was to be an intellectual center where scholars and academics would come to study and translate great works from their native language into Arabic. The Translation Movement was also a big player in this cultural revolution. Because of this revolution, Baghdad became a cultural world center. Knowledge and the transmission of knowledge became an important aspect in society. Universities began to "spring up" around the Arab/Muslim world - the first being in Baghdad. The caliphate - before and during - sponsored the arts and letters not just within their "castles" but around the Arab/Muslim world.

26 July, 2009

House of Wisdom

It's been interesting so far doing research for my thesis topic. Of course, all the research is still preliminary. It seems there was something even more significant that helped bring about intellectual changes during the 'Abbasid Caliphate: the introduction of paper. I have read a few articles now and browsed even more and they all mention some aspect of paper being introduced as setting the translation movement in motion. The led to the creation of the Bayt al-Hikma(h). I am curious as to whether this is just coincidence or if one really did affect the other?

With the translation of texts into Arabic and the "discovery" of Islamic medicine, algebra, and others, it's no wonder the intellectual changes were so great. I also read that the Arabs introduced paper to Europe by way of Spain and Sicily. I wonder how much truth there is to that? Another area of my thesis to research, I guess.

18 July, 2009

The House of Wisdom

I am in the early stages of research for my thesis on the House of Wisdom in Baghdad. So far, I am finding it to be an extremely interesting topic. I am still fleshing out my thesis statement and am hoping to have a strong, solid statement soon. I am stuck between two:

1. ~ "The House of Wisdom and the translation movement of the 8th century was integral to bringing a wealth of information into the Arabic-speaking world and later to parts of Europe with the spread of Islam."

2. ~ "If not for the development of the House of Wisdom and the Translation Movement during the 8th century, Baghdad would not have become an intellectual world center."

I think the first one has more punch to it.

28 June, 2009

Bayt al-Hikma

After many emails back and forth, my prof and I have narrowed down a topic for me to do my master's thesis on. It is still within the time period of the Abbasid caliphate, which is awesome! I am also going to be able to use some of my photos from my recent trip.

Ok, so the topic is the "House of Wisdom" (Bayt al-Hikma) founded during the Abbasid caliphate. I am very excited about this topic and am looking forward to reading anything and everything out there on it. What I know right now, the House of Wisdom was established as a library and place of learning. The caliphs would hire scholars from around the world (the world as they knew it to be at the time) to come to Baghdad and work in the House translating Greek and other texts into Arabic. Initially, this would enable to learned to have access to these texts. Eventually, commoners would have access as well.

Of the many subjects researched, taught, and/or archived in the House of Wisdom are Algebra (al-jibra), astronomy, anatomy, geometry, and other sciences. As I learn more, I will post more thoughts on the topic. I will also post a picture if I come across one.

17 June, 2009

Freer Gallery, Washington DC

I spent today walking around the National Mall and visiting a few specifically planned places. One of those places was the Freer Gallery so I could admire the Islamic Art section. I am so thankful that this exhibit is there. I found it to be more impressive than the Arab-American Museum, but I think that's because it was focused more on the artwork itself and less on the immigration into America. That being said, my favorite display by far is the Abbasid display. Here are a few pictures:

I have always been impressed with the detail that goes into Islamic artwork. One of the aspects that's common to all Islamic art is the calligraphy. This is typically a Qur'anic verse. Here are some examples:

Notice around the edge of the bowl the calligraphy. I am not sure what it translates as in English, but that is one form of Arabic writing that is ornate.

This is a portion of some kind of stone slab (I think it's marble - probably should have taken better notes - will edit this when I know for sure). What's neat about this piece is how the calligraphy is woven into the rest of the styling.


This last piece is an iron jar. Notice the detail of not only design, but color as well. One thing I have found in my studies is that Islamic artwork is not just ornate, but colorful as well. Artists are/were especially fond of cobalt blue for reasons I have yet to figure out.

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This last picture shows an illuminated manuscript. One of the most valued pieces of artwork Medieval Middle Easterners could have in their possession was an illuminated book. These were found mainly among the learned or higher class persons.


This particular folio is from the Haft manzar (Seven visages) by Hatifi (d. 1521) and is opened to the following poem:

"There is no friend in the world better than a book.
In the abode of grief that is this world, there is no
consoler [better than the book].
In a corner of loneliness, every moment,
it provides a hundred comforts, and there is never any vexation."*


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*Information obtained from the card in front of the folio at the Freer Gallery, Smithsonian Institute, Washington DC.

30 April, 2009

Ideas for Final Document/Masters' Thesis

After all of the studying I have done on the Middle East, during my undergraduate program at Michigan State University and now during my graduate program, I am finding myself more and more with the Caliphates (another way of saying dynastic rule). I especially like the time when there was a great transition in the Middle East from pre-Islam to the first couple of Caliphates: the Umayyads and the 'Abbasids.

One of my ideas for my final document is an historiography of the two caliphates, concentrating on their religious influence as well as the arts and architecture of the caliphs. Last semester I wrote a paper on the historical significance of the Arabian Nights and that really sparked my interest to lean more towards the arts and letters of the Middle East. So that's one idea.

As you can see by the maps, the Umayyad Caliphate covers a vast territory from the East at Damascus to the West at Cordova (al-Andalus). This territory is divided into two separate Caliphates as the Umayyads were pushed out of Damascus by the 'Abbasids and relocated (those that survived - which were very few) in what would become their second caliphate at Cordova. The 'Abbasids, on the other hand, occupied territory primarily in the vicinity of Iraq, Syria, and parts of neighboring areas. Their capital was moved to Baghdad and remained there for much of the time they ruled.

Another idea is to concentrate only on one of the caliphates: the 'Abbasids. This would allow me to be more detailed about the glory of their caliphate and especially of Baghdad. I am really interested in the history of Iraq before and during the middle ages, so this is another avenue I may pursue.

Of course, there is so much to research on this time period and so many possibilities for my final document. One thing that will remain unchanged is that I intend to do an historiography in the form of a more traditional thesis. And as always, I am open to suggestions on other possible topics.

10 April, 2009

OK, My first thought and question

I was browsing through the online exhibit on the Freer and Sackler Galleries website last night and began to wonder why artists in the Middle East use cobalt blue so much in their artwork. Is there some significance in using the color blue? Did it have any special meaning to Islam? I hope that during my research on the caliphates that I will be able to find the answer.

Hello and Welcome

Welcome to my blog! I intend to use this space to discuss and share as I write my thesis over the next year. My working title is "From Iraq to Spain: Umayyad Influence Over Three Continents". It is my hope that I will be able to show how the Umayyad Caliphate was able to influence not only culture, but society as well in Spain, North Africa, and the Middle East (especially Iraq). As I delve into my research for this project, I will post anything that interests me from my readings. I have also devoted part of this blog to links to professional organizations I belong to, websites pertaining to my research, and a bibliography of sorts. I welcome any and all feedback as well as suggestions as we travel along this path together.

Thank you for stopping by!